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18X26" Velvet Cotton Rag Paper, 300 gsm, Archival, $195  

(includes 1 inch white border - image size 16X24")


28X40" Rolled Canvas, Varnished, Archival, $575

(includes 2 inch white border - image size 24X36")


34x49" Rolled Canvas, Varnished, Archival, $875

(includes 2 inch white border - image size 30x45")


44x64" Rolled Canvas, Varnished, Archival $1175

(includes 2 inch white border - image size 40x60")


  • each print signed, numbered, embossed
  • paper + canvas will be printed flat and rolled to ship
  • paper can be framed
  • canvas comes varnished + can be stretched and/or framed at your local framer
  • printed + shipped within 2-3 weeks in a rigid mailing tube for greatest protection
  • shipping in the US is included


All copyrights are retained by the artist and no reproduction is permitted without the express permission of the artist.


International collectors may receive an additional invoice based on location/size of the work.


Thank you for supporting independent artists.



The thoughts behind "Woman and Reckoning (WAR)" :


Set in a prehistoric, desolate landscape directly inspired by the canyons near Moab, I wanted to demonstrate the vastness of this wild land we still have access to, and also bring a sense of empowerment to the isolation and inner world many of us have been forced to reckon with.


Since the dawn of time, or at least since the the beginning of modern history, woman have played a peculiar role, one fueled almost exclusively by fiction.  This is a powerful and terrifyingly influential story that declares women responsible for the downfall of man. Genesis 3:6 is this reference on the page that she is holding.


Although it's worth calling out one of the most damaging fallacies in religious storytelling, I want the conversation the carry much further than that.


Stories can mark the fate of a demographic.  


We consume and perpetuate subliminal stories and narratives every day, some are fictions mistaken for truths, some hold immense power over our choices and abilities to connect with one another. 


We're chronically disconnected from ourselves, possibly the biggest tragedy of all.


As history has demonstrated time and time again, those who are made victim to a story must stand much taller and stronger, to tip the scales enough to gain the basic attention of those who are unaffected.


I've made painful attempts to organize my life thus far around certain stories that dictate what my role should be as a woman in this world.

I've only come to terms with the extent of the damage as I watch other women do it too.  There is an entire experience that is endlessly dealing with immense pushback from a power that is claiming to protect us.

This painting attempts to process some of this anger, both deeply personal and entirely collective in the same breath.





Woman and Reckoning (WAR)

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